Commodork reader Frank Burcaw recently e-mailed me the following screenshot from his iPad:
I’m not sure how deserving my book is to sit on the same shelf with The Beatles’ Yellow Submarine and Jobs’ biography — even virtually — but I’m tickled nonetheless to see it there.
Thanks again for sending me the picture, Frank! As a reminder, both of my books (Commodork: Sordid Tales from a BBS Junkie and Invading Spaces: A Beginner’s Guide to Collecting Arcade Games) are both available via Amazon or from this site as a DRM-Free PDF.
This weekend marked the 9th annual Oklahoma Video Game Expo (OVGE) in Tulsa, Oklahoma. I attended the first show in 2003 as a spectator, but have participated as a presenter (almost) every year since then.
Along for the ride this year were my friends Robb and Steve, who I previously mentioned flew in from Colorado and New York (respectively) to attend the show. Robb Sherwin is, among other things, the author of the award winning interactive fiction game Cryptozookeeper. Steve and Robb have known each other since the BBS days.
Photo by Brandon Staggs
Since our local NBA team (the Oklahoma City Thunder) are currently in the NBA Finals, I decided to go with a basketball theme this year.
Due to a slight table misconfiguration I only ended up with one table instead of two this year, but we made it work by just cramming everything together and leaving a few things under the table. From left to right we had my NES playing Double Dribble, my (blue development) PlayStation running NBA Showtime, and my Commodore 64 running a couple of different games, including One on One and Street Sports Basketball. I wouldn’t say I had the most popular table at the convention, but lots of sports fans stopped by to play a few quick games of basketball. At the table I also had a playlist of basketball-related songs and sports anthems going throughout the day, playing songs like “Basketball Jones,” “We Will Rock You,” and of course the parody song “Beard Like Harden.” I apologize to the people across the aisle from me who got bombarded with this music all day long.
Along with all the console and computer games available to buy and play, there were also several pinball machines and arcade games set up to play at the show. These are machines that are brought in by private owners and set up for people to play for free all day long. They’re a great hit every year and really add to the show.
Besides games, there were a lot of other game-related items on display and up for sale, including these animation cells over at Drew Stone’s table. I probably should have bought one of these when I had the chance.
Photo by Earl Green
You may notice that I’ve had to borrow a few photos from my friends Brandon and Earl for this post. That’s because, before I knew it, the show was winding down. I only got out from behind my table a few times, and when I got home I found I had only taken a dozen or so photographs … so I went to Facebook and borrowed a few from other people. I added the ones I took to my photo album of the show along with theirs, renaming them to give them proper credit.
Photo by Earl Green
Photo by Earl Green
Although OVGE is pretty console gaming-centric, Ed Martin brought another giant stack of retro Apple computer hardware, along with an impressive spread of classic boxed text adventures.
Several local groups and websites were on hand this year, including Nintendo Okie who did a live podcast from the show. They did a decent job of capturing some of the in-show action going on throughout the day.
Brandon Staggs also uploaded this video of OVGE 2012 to YouTube. He did a great job of capturing all of the booths there. You can catch my basketball-themed table just after the 2:30 mark.
Thanks to everybody who came out to OVGE this year and everyone who stopped by and said hey. Next year will be the 10th anniversary of OVGE, and I know people are already talking about what they will be bringing to next year’s show. I know I am!
The 9th Annual (wow!) Oklahoma Video Game Expo (OVGE) will take place this Saturday in Tulsa, Oklahoma. As always, I and some friends will have a table set up and once again the entire hall will be filled with people buying, selling, and playing video games.
At my table this year, I will be joined by two friends: award-winning Interactive Fiction author Robb “Ice Cream Jonsey” Sherwin, and the creator of the infamous remote controlled phone video, Steve “Aardvark” Davis. Additionally, I will be sharing a bit of table space with Charles “Ubikuberalles” Pearson, who will be showing off some of his game-related creations.
To attend this show, Sherwin is flying in from Denver, Colorado; Davis, from New York; and Pearson, from Albuquerque, New Mexico. If you enjoy old video games and live closer to Tulsa, Oklahoma than any of those guys, you should make an attempt to be there.
Anyone who hasn’t been to one or is on the fence about attending can check out my photo albums. I have pictures of the shows going back to the first year (2003).
Here’s a picture of my table from last year, where Sherwin, my friend Jeff, and I ran a table dedicated to text adventures. At the show we had text adventures running on a Commodore 64, an Apple II, an Amiga, a DOS machine, an ancient portable TRS-80, and even an iPad.
Speaking of my buddy Jeff, he has since moved out of state and won’t be able to attend this year’s show. While Jeff tries to stay behind the scenes, he is the one that keeps me organized and makes stuff happen. For the past five years, Jeff has been the one who helped me watch my table when I had to run to the bathroom or free me up when I was mingling with visitors, who helped me set up and break down my displays, and keep things running smoothly. Jeff has been an integral part of my displays for the past five years, and will sorely be missed. I will be pouring out a bottle of Croyn Royal Black on the ground in honor of his absence. (I would never actually do that; Jeff would kill me for wasting good Crown like that!)
Jack Tramiel once said “business is war,” and based on his track record, he must have meant it. He was said, “anybody who sells a product against me I would like to wipe out.” Jack Tramiel was ruthless in business. One of his first tasks at Atari was cutting his new staff of 1,200 employees down to 100 . Chuck Peddle, Tramiel’s right hand man at Commodore, once said of the man, “he destroyed me, he destroyed my family, he did all kinds of terrible things” .
If Tramiel’s actions were considered ruthless, he had good reason; up until the age of 10 he lived in a Jewish ghetto in Poland; after that, he and his family were sent to the Auschwitz concentration camp. According to Tramiel, his father died at the camp after being injected with gasoline. At the age of 17, Tramiel and his mother were liberated by the United States Army. If the guy was a jerk later in life, I’m willing to cut him some slack.
If you want to read the Cliff’s Notes version of his life you can do so here, but here are the highlights as they pertain to me: after moving to the United States (with $10 in his pocket) and serving his time in the US Army, Tramiel opened up a typewriter-repair business in the Bronx. According to Tramiel:
“I was sitting in a taxi cab and I was trying to get the name for the company which I was building, and I was really looking to make it call it General, I’d just come out of the army and I was in the army for three years and seven months, so I was looking for something strong, so I was looking for a name like General which I couldn’t get because it was taken. Then I was looking for a name like Admiral, and that was taken, and as I was talking to a friend of mine in the cab right in front of me this car with the name Commodore. I said well let’s try this one.” – Jack Tramiel
Tramiel’s Commodore dabbled in typewriters, adding machines, and digital calculators before one of his employees (Chuck Peddle) told Tramiel that calculators were a “dead end” and computers were the future. Using a combination of off the shelf parts and chips designed in house, Peddle created the Commodore PET, an all-in-one computer. To keep up with the rapidly changing home computer market, Commodore released first the VIC-20, followed by the Commodore 64.
Tramiel’s infamous quote “We need to build computers for the masses, not the classes,” may not sound groundbreaking today, but in the early 1980s, it was. At a time when home computers cost thousands of dollars, the Commodore 64 launched in 1982 with a $599 price tag. Even more incredibly, it’s estimated that each one only contained $135 in parts. Commodore’s aggressive price drops and market saturation directly drove Texas Instruments out of the home computer market, and certainly got Apple and IBM’s attention.
One thing I always thought was genius about the Commodore 64 was that all of its peripherals attached to the outside of the computer, as opposed to internal upgrades like the Apple and IBM required. Adding an internal modem to a PC or an Apple required disassembling the case and adding a card into a slot; adding one to the C64 was as simple as plugging a cartridge into a slot on the rear of the machine. The design took some of the mystique out of computers. By being able to add a new peripheral to your machine in seconds without needing a screwdriver, Tramiel succeeded in delivering a computer that the masses could use.
Tramiel’s reign at Commodore didn’t last long — he retired from the company in 1984, and used his money to purchase the home division of Atari. By that time Atari, along with everyone else, had just suffered through the video game crash of 1983. Tramiel’s first win for Atari was the Atari ST computer. During Tramiel’s time at Atari the company released several other computers (including the XE line), and although Tramiel wanted to get out of the console business, it was under his watch that the Atari 2600 Junior, the 7800, the Lynx, and the Jaguar were all released. In 1996 Tramiel retired from Atari.
In 2007, Jack Tramiel met Apple co-founder Steve Wozniak for the first time at a celebration party for the 25th anniversary of the Commodore 64, held at the Computer History Museum in Mountain View, California. When I read about their meeting at the time I thought how crazy it was that these two had never met before.
I also thought the meeting was interesting because Tramiel was once referred to as the “anti-Jobs.” Tramiel believed in function before form. The beige, breadbox design of the Commodore 64 stands in stark comparison to the sleek lines of Apple’s products. Still, asthetics aside, I’m sure Woz and Tramiel found things to talk about — perhaps they swapped stories about how Tramiel abused his engineers, and how Woz was abused by Jobs.
Both Wikipedia and the Guinness Book of World Records still list the Commodore 64 as the best selling computer of all time, thanks largely to its lengthy production run, Tramiel’s bottom-of-the-barrel pricing, and his insistence that his computers be available on department store shelves.
If you want to read more about Jack Tramiel and the early days of Commodore, I highly recommend On the Edge: The Spectacular Rise and Fall of Commodore (2005, Variant Press). And if you want to read what it was like to grow up using a Commodore, there’s always this book … :)
My parents bought my Uncle Kenny’s Commodore 64 for me back in 1985. If I remember correctly the sound chip had blown out, so the first thing we they did was have it fixed. Sixteen years later, I still own (and use) that same Commodore computer.
I’ve owned dozens of other Commodore computers over the years (many of which are sitting out in my garage, acting as “donor machines”) but I can always tell my main one apart from the others for a couple of reasons. One being, many years ago one of my friends modified mine for me by adding a manual reset button to the side of the case. I can also tell it’s my old standby because there are no screws anywhere holding it together. I used to take the thing apart so often that I finally quit screwing it back together. Every memory I have of playing games, calling BBSes, or causing electronic mischief in general on my Commodore 64 took place on this specific machine.
The computer “nook” in our new house has a long built-in desk with enough room to house two or three computers. After getting my main workstation up and running, I determined the corner space would be a perfect spot for my old Commodore. Despite being outdated in every way imaginable, it’s still a fun system to play games on.
After getting my old Commodore up and running, I ran it through some paces by playing a few games on it. It wasn’t long before Mason stuck his curious mop of hair in the doorway to investigate the antiquated beeps and blips coming from my room. The two of us spent about an hour playing old classics like Moon Patrol and Burgertime. Some of the other games he wasn’t able to get into as easily, but he really liked the ones where we played together, both as a team and as head-to-head opponents. I’ll have to dig out some more two-player games for us to try in the near future.
Last night, he came back. “Can I play Moon Patrol again?” he asked. What sweeter words has a child ever asked his father? After several rounds of Moon Patrol, he went back for some more Burgertime.
I don’t expect Mason to grow up being a big fan of Commodore computers like I am. Someday he’ll have his own misty-eyed moments about the days when hard drives were measured in terabytes, and maybe he’ll spend his weekends searching thrift stores for old Nintendo DS units. But right now he’s getting a kick out of 30-year-old games that I enjoyed as a kid, and I’m getting a kick out of that.
I don’t really know “how” to release this. I don’t even know if anyone will be interested. I hope somebody is.
In March of 2007, via Craigslist, I purchased a large lot of Commodore hardware and software. For the grand total of $39 I ended up with six Commodore 64s, six 1541 disk drives, a couple of 128s, one Commodore 16, a bunch of monitors, and boxes and boxes of software. A few of the floppies were original games; most of them weren’t.
While recently digging through the boxes of disks, I found several disks labeled “CUON.” These disks came from a local user’s group, the Commodore Users of Norman. Back in the day, it was common for computer user groups to compile disks of public domain software. Some clubs sold copies of these disks to members at a minimal cost (usually just enough to cover the cost of the disks). Some clubs sold them with a slight markup as an on-going “fundraiser” for the club. Some clubs let you copy the disks freely if you brought your own floppies.
A Google search of “Commodore Users of Norman” returns two things: scanned in magazines which contained the group’s name in their “active club” listings, and robohara.com. :) Although I haven’t been able to find out much (any) information about the club using Google, I can tell by the dates on the disks that they came from between 1984 and 1986. The man I bought the lot from (David Cowan) appears to have been a member. I recognized two of the members’ names: Bruce Yarbor used to be the owner of an old local computer store (Second Hand Software), and Bill Lyons … well, if you’ve read Commodork, you know Bill and I go way back. I was able to track down one additional former member via Google, who I hope can give us some more information about the club.
As many of you know I picked up a ZoomFloppy not too long ago, which is a great device for converting physical Commodore 64 floppies over to virtual D64 disk images. I was able to convert about 45 disk images, error free. One disk had errors, and two disks (#1 and #43) were missing. In addition to disks #2-#45, there were half a dozen non-numbered disks, also attributed to the club.
I don’t expect anyone to find anything on these disks earth shattering. Like most club libraries from that era, these disks contain of public domain games and utilities. I’m not sure where one would even check (help?), but I assume all the programs found within have previously been discovered elsewhere. Then again, maybe not. Dig in and let me know!
The entire collection can be downloaded here: D64-CUON.ZIP. (Right-Click, Save As.) The collection is just under 7.5 megabytes in size, and includes not only all the D64 disk images, but actual physical pictures of all the diskettes as well. If you would like to simply browse through the pictures of the diskettes, I have uploaded them to my photo album as well.
Again, don’t expect to be dazzled by most of the programs contained within. That being said, I think this little collection serves as a pretty neat time capsule. I was glad to find the disks in such good (read: error free) condition, and I hope you enjoy them.
(Sorry kids; another technical post. I finished this project late Wednesday night and scheduled the post to go live at noon on Thursday. I’m warning you now — it’s late, and there could be tpoys … er, typos.)
ZoomFloppy (which I wrote about earlier today supports parallel file transfers. This would be great news, except for the fact that the 1541 disk drive doesn’t come with a parallel port. If you want one, you’ve got to add one.
On his website, Peter Schepers sells pre-wired piggyback kits for installing parallel ports into 1541 disk drives. Peter was super easy to deal with and super helpful. On his website, Peter also provides all the pinouts for people wanting to make their own cables. It’s a win/win situation. I went with the piggyback (read: solderless) solution. The custom cable, a 15-pin parallel cable, and shipping (from Canada) set me back a little over $30. Absolutely worth it, in my book.
Before ordering one of Peter’s kits, you’ll need to determine which model of 1541 you actually have. The easiest models to modify are the old white VIC-1541 drives, and the common beige C64 1541 drives (both pop-tab drives and the turning-handles models). 1541C, 1541-II and 1571 drives can also be modified, but each of those require additional and extensive disassembly of the drive. Fortunately for me, my garage looks like this:
Most of the drives work. Most of the C64s do not.
After choosing a victim, “Project Parallel Punch” began! As you can see below, the one I picked still had a price written on it in “thrift store grease pencil” — $3.98. One summer several few years ago I managed to snag half a dozen or so 1541 drives at thrift stores and garage sales. Hey, you never know when, five years from now, you might need one to install a parallel port into!
Once the patient was moved to the operating table, the first order of business was to remove the case and the metal shielding. The case is held in place by four metal screws — the shielding, another two.
With the shielding off, you can see the middle (6522) chip that needs to be pulled. With the 6522 removed, the socket is inserted, and the 6522 is reinserted. This was by far the hardest part of the installation. The socket pressed in with no problem. When I reinserted the 6522 chip I managed to smash half of the chip’s legs. ARGH. I really suck at this! It took me half an hour and four or five attempts to get all the legs straight enough to reinsert into the socket. Why am I so bad at this?
Eventually, this is what it looked like.
The next part of the install was making a hole in the back of the 1541 for the parallel connection. Using a Dremmel, in about two minutes I shaped out a workable solution. It ain’t pretty, but it works. Going against Peter’s suggestion I mounted the port from the inside of the drive, rather than from the outside. This is a terrible idea because the plastic is so thick that I had to Dremmel an extra 1/4 inch all the way around the socket to make room for the metal housing around the cable.
Here the drive is, reassembled and ready for action.
Unfortunately, mounting the port on the inside made it to where I couldn’t push the parallel port in far enough. After a quick trial run, I mounted the plate on the outside of the drive with a couple of computer screws. Not only does the cable work better with this mounting, but it hides my shoddy Dremmel work to boot!
With the parallel port in place I fired up D64Copy and ran a quick test:
— Serial only: About 90 Seconds.
— Serial w/Parallel: About 25 Seconds.
As I mentioned earlier, the parallel port not only transfers data more quickly, but it also allows for the capturing of the entire disk’s contents, not just the programs. This is invaluable for people wanting to not only capture programs, but preserve disk formats and study copy protection. I’m having trouble with some of the advanced tools in Windows 7/64-bit at the moment, but since the ZoomFloppy is USB, trying it on other machines won’t be a problem in the near future/
Today I will be giving my first impressions of the ZoomFloppy, a new PCB that allows people to connect old Commodore floppy disk drives to modern PCs via USB.
(I’ll pause a minute while most of you leave the room. You are excused. See you tomorrow.)
I have, on several occasions, talked about the process (and difficulties) of converting physical Commodore 1541 diskettes into D64 disk images, the format used by most Commodore 64 emulators (including WinVice). Most recently, I talked about it here, here, and here. To save you an hour of back-digging, here’s the gist of those posts: I’ve found two reliable methods to convert real disks into D64 images (and back). One involves using a 486 running DOS and a special cable (x1541). The other involves using a 1541 Ultimate, a device that attaches to a Commodore 64. While both solutions work great, neither is without its drawbacks. The 1541 Ultimate runs around $200 US (with tax and shipping) and requires a working C64 computer to run. X1541 cables work best with older parallel ports on 486 computers running DOS, which brings its own unique logistics.
There’s also the FC5025, a USB controller for 5.25 floppy drives. The FC5025 is $60 (shipped), plus you’ll need to supply your own 5 1/4 floppy drive. The FC5025 is good at what it does, but it doesn’t do what I need it to do. It archives PC/DOC-based disks perfectly, but can only read the front side of Commodore 64 and Apple II disks. The FC5025 is also a read-only solution. I own one and use it for archiving old DOS disks, but for archiving Commodore 64 disk collections (almost all of which contain disks with information on the flip side), it’s not a good solution.
This brings us to the ZoomFloppy.
The ZoomFloppy was developed by Nate Lawson and is being manufactured by Jim Brain. It currently sells for $35 US, which makes it the most inexpensive solution to date. It’s USB, so “installing” it is a matter of connecting the card to your computer using a standard mini-USB cable and supplying the drivers.
The ZoomFloppy’s packaging is sparse. The card shipped in an anti-static bag. Inside the box there was also some tissue paper, and a folded-up piece of paper with the GNU General Public License printed on it. Something noticeably missing was a piece of paper with some instructions. A sticker on the anti-static bag pointed me to http://www.go4retro.com/products/zoomfloppy. After searching that page longer than I’d like to admit, I found the link to Nate’s page, which contains links to the installation manual and drivers. The driver installation on my 64-bit Windows 7 machine did not work like the documentation suggested it would, but after manually installing the driver, Windows 7 saw the card. It wasn’t a particularly difficult installation, but the whole process reminded me that the ZoomFloppy is currently, and probably always will be, intended for computer-literate hobbyists.
The 1541. She lives.
ZoomFloppy supports transferring data to and from 1541 disk drives using either serial or parallel cables. Serial cables are the ones most Commodore owners are familiar with. On its side, the ZoomFloppy has a female serial connection identical to the one found on the back of a 1541 drive. A standard C64 serial cable is used to connect a 1541 to the ZoomFloppy. That configuration supports both converting real C64 diskettes to D64 images, and writing D64 disk images out to real floppies. I suspect this is what most people will use the ZoomFloppy for. The ZoomFloppy also supports parallel connections. This requires, at a minimum, modifying your 1541 by adding a parallel port to it. I purchased my parallel port kit from the highly recommended Peter Scheper. (I haven’t installed it yet, but when I do, expect another post on the topic.) Using the advanced parallel connection allows the ZoomFloppy to also read and write nibbled G64 disk images. It’s not a feature most people need or will even want, but if you’re interesting in backing up (or studying) copy protected diskettes, it is well worth the effort.
The ZoomFloppy is designed to work with the OpenCBM tools which are command line tools available for Windows, Linux, and Macintosh machines. For those who prefer GUI interfaces, there are also free front ends available. I downloaded CBMXfer, just to give it a whirl.
Within fifteen minutes, I had discovered the ZoomFloppy in my mailbox, opened the box, installed the drivers, found online documentation, got the card installed, fetched a working 1541 drive from my garage, retrieved a random C64 floppy from the archives, transferred a real disk to a D64 disk image, and launched the image in WinVice.
Click to Enlarge
The only real issue I’ve encountered so far is that one of the D64 images I copied was corrupt. I couldn’t find an option for retries or error checking on CBMXfer, but I see it as an available option via the command line. I’ll do some more experimenting with that tonight. It “seems” like I got better results by turning “warp mode” off, which increases the copy time from just under a minute to just over one.
I can’t believe I’m saying this, but once I get a parallel port installed on my 1541, it looks like I’ll be transferring my old C64 collection over one more time. It’s a Herculean task, but doing it and doing it right is important to me.
The third annual Blockparty (now I believe the longest running US demo party) took place Saturday night at during Notacon. Demo parties are competitions where coders enter their programs and audience members vote on them. Along with the standard “demo” category, the organizers of Blockparty expanded to include several different categories. One of them was music, so I decided to write, record and enter my own song.
My interest in demos and the demo scene goes back to the Commodore 64, so I knew up front I wanted to record a tribute to the 64. I know nothing of 8-bit recording techniques, so that was out. I considered recording samples from 8-bit games into a modern program and restructuring them into a song, but I didn’t want to create an entire song out of other people’s sound samples, so I dropped that idea too. While listening to Run DMC during my recent road trip to Pennsylvania, it hit me — I’ll record a rap! Raps are relatively easy to write and perform as is loop-based music, so that’s what I decided to do.
The end result was “You Can’t Handle the Commodore,” a three-minute song written in the style of an old-school “rap battle”. Rap, and especially the rap I used to listen to growing up, has always been filled with “battle” songs — you know, “I’m so bad” and “I could kick your butt” and stuff like that … so after listening to several hours of old Run DMC, Ice-T, NWA and LL Cool J albums to get me in the mood, I sat down and wrote the lyrics to my song. Here are the lyrics, with a ton of notations added to explain all the jokes. Note that unless you are familiar with the C64 and much of its library, most of this won’t seem very funny.
You Can’t Handle the Commodore
Listen up kid, it’s time to put down the Wiimote
Drop the 32-bits, hop into my boat (1)
Talkin’ trash like a punk emcee,
I’ll punch you in the face like the Ninja from Bruce Lee! (2)
My kid is the son of an 8 bit, (3)
In front of a sixty-four’s where I sit. (4)
I like to battle, but I won’t bark on,
I’ll toast your ass like the Phoenix from Archon. (5)
I’m great at a million games man,
When you were in diapers, I was cleanin up Wasteland.
Summer Games, Winter Games, World Games, too, (6)
California Games cured my summertime Blues (7)
Wanna play? Bring a DB9 Stick, (8)
I got an old Epyx that I’ll kick your ass with. (9)
You want mercy? Well you better start wishin,
You beatin’ me’s an Impossible Mission. (10)
Like HERO, I’m about to fly, (11)
With a disk notcher I’ll use your backside, (12)
Like Load Runner you’ll drop your load,
Then I’ll pick up your package of gold. (13)
You’re a headbanger, cuz you bang your drive’s head (14)
You’re like a zombie, and you’re already dead,
And I’m a serial killer with a serial cable, (15)
Cuz you’re retarded, or should I say disabled?
Let’s play Pitfall, you know what to do? (16)
Well take notes chump and I’ll give you a clue.
Jump over the logs, then swing on the vines,
And then you gotta UH OH out of time! (17)
This battle’s over, I’ve already won,
Cuz you come last like comma eight comma one. (18)
Feelin’ lucky? Wanna test your ability?
You beatin’ me? Realm of Impossibility. (19)
I’m the king of (20) [the Commodore]
You don’t want none of (21) [the Commodore]
You can’t handle (22) [the Commodore] (23)
So bring what you got, whatchu think, you’re bad man?
Well I got skills yo, but I ain’t Rad Man (24)
Cuz he does art, yo and I play games, yo
so pick up a stick and I’ll bring the pain, yo
Cuz here is the church and here is the steeple,
your only friends are Little Computer People (25)
In Skate or Die (26) you always fall,
So you can suck on my Wizballs (27)
I’ll cut your head off, like Barbarian (28)
I’m bout to school you like a librarian
Your expectations are never gonna be met
I’ll rip you apart like Racing Destruction Set (29)
You think your bad, you better get your facts on,
Cuz I can rock a perfect score in Zaxxon, (30)
Wanna play some Hacker or Hacker II, (31)
Well look it up bitch I wrote the walk thru. (32)
Your face is red, I can tell your pissed,
Cuz I whipped you in the Way of the Exploding Fist (33)
Cuz I kick ass, and I never come in last,
And I’ll beat your ass at Boulderdash (34)
Player one, player two, it just don’t matter,
In Karate Champ (35) your face will splatter,
I’ll whip you, like a goddess wearing leather (36)
You can Stay a while, but don’t stay forever. (37)
In Beach Head (38) you took two the dome,
You gonna need a Space Taxi (39) to get you home.
Yes I’m better than you, you’re not just paranoid,
and I’m a 999 in Paradroid (40)
Three minutes and this track is through (41)
I’m number one and you’re 6502 (42)
We’re done here, and there’s the door,
I was right, you can’t handle the Commodore.
That’s right, he’s the king.
You better run/stop your mouth. (43)
Aw your disk is all floppy … (44)
He’s got two kids — Vic, and Sid. (45)
He’s gonna get you with an Isepic. (46)
Yeah, you can’t handle the Commodore …
1 – The Wii is a 32-bit System
2 – Bruce Lee = Popular C64 Game (that featured a ninja).
3 – Play on “son of a b***h”
4 – sixty-four = Commodore 64
5 – In the game Archon, the Phoenix attacked by exploding into fire.
6 – Wasteland, Summer Games, Winter Games, World Games, California Games = Popular C64 games.
7 – This was going to be a joke about “M Network Games” who had a commercial sung to the tune of “Summertime Blues” but I decided it was too obscure so I got rid of it and replaced it with this line.
8 – The C64 uses a nine pin or DB9 joystick.
9 – Epyx made a popular C64 joystick, the XJ 500.
10 – Impossible Mission = Popular C64 game.
11 – HERO = Popular C64 game (in which the player flew)
12 – A disk notcher allowed owners to store data on the back side of a floppy. I thought this was one of the wittier jokes in the song.
13 – Lode Runner = Popular C64 game that involved picking up packages.
14 – The 1541 was notorious for banging its head.
15 – The 1541 used a serial cable.
16 – Pitfall appeared on many systems, including the C64.
17 – Pitfall was a timed game.
18 – The command to load a game on the C64 ended in “,8,1″. This is another good line I thought.
19 – Realms of Impossibility = Popular C64 game
20 – “I’m the King of” (Run DMC sample)
21 – You don’t want none of” (David Space from Tommy Boy sample)
22 – “You can’t handle” (A Few Good Men sample)
23 – “The Commodore” (William Shatner from old Vic-20 Commercial sample)
24 – Rad Man is one of the two co-organizers of Blockparty and a famous computer artist.
25 – Little Computer People = Popular C64 game
26 – Skate or Die = Popular C64 game
27 – Wizball = Popular C64 game (and a play on a vulgar phrase)
28 – Barbarian = Popular C64 game (allowed you to decapitate your opponent)
29 – Racing Destruction Set = Popular C64 game
30 – Zaxxon = Popular video game.
31 – Hacker and Hacker 2 = Popular C64 games
32 – A “walk thru” is a file people write that tells you how to beat a game. I did actually write a walk-thru for Hacker years ago but I needed help beating the game.
33 – Way of the Exploding Fist = Popular C64 game
34 – Boulderdash = Popular C64 game
35 – Karate Champ = Popular video game
36 – “goddess wearing leather” refers to the game Leather Goddess of Phobos
37 – “You can stay a while but don’t stay forever” is a popular sample from the game Impossible Mission
38 – Beach Head = Popular C64 game (where you could get shot)
39 – Space Taxi = Popular C64 game
40 – Paradroid = Popular C64 game (the highest level was 999)
41 – The song competition limit was 3 minutes in length. This song is 3:00, exactly.
42 – 6502 = the main CPU in the Commodore 64.
43 – Run/Stop is a key on the C64 keyboard.
44 – The C64 used floppy disks.
45 – VIC and SID are the C64’s video and sound chips.
46 – Isepic was a popular cracking cartridge.
As you can tell, I tried to cram an awful lot of jokes and references into a three-minute song. My minimum goal was one joke or reference every other line, and I tried to put one per line where I could do so without making it feel forced.
The song also contains several samples, both in the actual music and behind the lyrics. The song is composed of a couple of drum loops I actually ripped from vinyl to mp3 using my Ion USB turntable. The main “riff” is comprised of a modem tone, a dial tone, a 2600 tone, and a red box tone. (Surely that ought to earn me some old school cred!) The build up to the chorus is a jet taking off in Raid Over Moscow, slowed down. Most of the incidental samples come from the songs I’m talking about at the time (Pitfall, Little Computer People, Beach Head, etc). The chorus features a 1541 head bang. The bass line was created by hand by manipulating a single bass sample; the dial tone was then modified to play the same notes. The chorus samples were mentioned above in notes 20-23. The whole song was put together in Acid 6.0; I’d say I spent a total of 5-6 hours working on the music specifically, and then another couple of hours laying down (and doubling) the vocals.
I sent copies of the song out to half a dozen friends and the majority of them said, “it’s not as bad as I was expecting.” Based on their feedback I lowered the volume of the modem tone, EQ’ed the voice on the second track a little lower, and added the “end comments” which in the end I didn’t like, but it sounded better than having nothing there.
Blockparty had 15 song entries, and mine was number 14th in line to be played. As the organizers began playing the songs, I noticed something — none of them had any lyrics! They all sounded computer generated, and none of them were “songs” like I was thinking. I slumped further in my seat. I had misjudged the style of music completely. My only hope was that the crowd would be full of C64 fans and that they would like my jokes.
Well, they didn’t, at least not very much. I tied for seventh place out of fifteen songs which put me right in the middle. To be honest, after hearing the quality and style of the other entries I expected to be closer to the bottom of the list. While I’m not exactly proud of where I placed, I’m glad I entered and, if nothing else, forced a room full of a couple hundred nerds to listen to me rap. It’s a trauma I’m sure it will take some time for them to get over.
If you would like to recreate the experience, turn off all your lights, stay up until 2:30 in the morning, crank up your volume and press play below.
Or, if you would prefer to put it on your iPod and rock out at the gym, here you go:
For the fourth day in a row now, I’ve continued working on my quest to convert all of my old Commodore 64 disks into modern D64 images. Over the past few days I’ve converted approximately 150 disks out of the 700 or so disks I still have. After handling 150 floppy disks in a row over the past few days, I’ve gotten pretty good at predicting which disks are going to convert, and which are going to be full of read errors.
Back when I first got my Commodore 64, floppy disks were roughly ten bucks for a box of ten ($1/disk). For the first few months I had my computer, especially while using a 300 baud modem, a box of ten disks would last a few weeks. By the time I graduated to 1200 baud, I was filling one side of a disk each night.
Keep in mind that you were only supposed to use one side (the front) of a floppy disk. The back side was not “notched” and by default, could not be written to. The simplest solution to this was purchasing a disk notcher, which ran around $5. After floppies were notched, you could write to the back side of them as well, doubling their capacity. There were all sorts of reasons people gave why one should not do this. Some people said that the backsides of disks weren’t quality checked, and were prone to data loss (maybe true). One person once told me that the dust filters inside disks were only meant to run clockwise — when run counter-clockwise (when the disk was in upside down), the filters would essentially run in reverse, dumping any collected dust directly into your drive. I can’t imagine that’s true. Regardless of whether or not it was good practice, I was young, broke, and desperate for disk space. I used the backsides of disks whenever I could.
By the time my parents were driving me all over the city so that I could trade games in person with fellow Commodore 64 owners, I was going through blank disks like mad. Mail order companies began delivering diskettes much cheaper than the stores — maybe $60 or $70 per hundred, vs. the still going rate of a buck a disk at retail stores. None of my friends nor I had $60 or $70, so we would all chip in and split a hundred pack two, three, sometimes four ways. It kept us going.
At the time I don’t remember these disks feeling or performing any different than the name brand floppies sold in stores, but boy can I sure tell a difference now. Some of the floppies I pull out of my old disk box are stiff as a board and as thick as cardboard. I haven’t had a single one that felt like that fail me. Others slide out of their old disk sleeves almost like an undercooked slice of cheese pizza, drooping over my fingertips. You can practically see the 1’s and 0’s falling off the disk. Those are the disks that are failing with multiple read errors.
The other disks that are failing almost without exception are my first hundred or so disks. Keep in mind that I was a Commodore user for basically a decade, meaning the earlier disks in my collection are years older than the later ones. As I mentioned earlier this week, I recently read on the net that the average lifespan of a 5 1/4 floppy disk was six months. Some of my earliest disks are 21 and 22 years old — the “younger” ones are merely 15 years old. Apparently those few extra years, combined with the cheap ass brands of floppy disks I used over the years, are finally catching up with me.
Surprisingly, I haven’t run into any disks yet that are completely unreadable. The ones that are bad simply have random bad sectors, usually near the beginning or the end of the disk. Once I’m done with this conversion project I’ll have to go back through and test them all, seeing what still works and what doesn’t. It’s the project that never ends, I tell ya.