I spent an hour or two yesterday writing a motorcycle chase. Our hero — Skip — has just been lured into a seedy part of town in hopes of hiring a coyote (or “Coyotaje”) to help sneak him and his cohort Monica back across the border into the United States. The meeting was a setup. Trapped between the drug runners (who want to kill him) and the Coyotajes (who want to kill him), Skip hops on one of the coyote’s motorcycles, hotwires it, and makes a break for it. When I’m writing an action scene, the action unfolds in my… (read more)